One Piece is a manga series that has dominated the storytelling of the last twenty-five years, mostly driven by the perennial presence and motion of Monkey D. Luffy. Being the main character, Luffy would traditionally move the story through action, ideology, and emotional lucidity, acting as the pivot around which Eiichiro Oda sets up arcs and conflicts and thematic resolutions. With the world of One Piece becoming a huge geopolitical chessboard with Emperors, revolutions, ancient history, and divine authority, the presence of Luffy has generally served as the stabilizer of the story.
Nevertheless, One Piece has also shown that it does not depend only on its main protagonist to keep the readers interested. Throughout multiple volumes, especially where flashbacks or group feuds abound, Luffy has been completely out of commission in the course of numerous chapters. These are not plot holes or pacing issues, but intentional tools of narrative, to enable Oda to explore more lore, bring supporting characters into the spotlight, and redefine the world by not having Luffy pull it all together with his charisma. These absences have deepened in the Final Saga, becoming the most notable ones.
5. Corazon and Law Flashback (About 10 Chapters, Chapters 762-772)

One Piece briefly left Luffy out of the story in a flashback of Corazon and Trafalgar Law, which took place in approximately ten chapters. It was a flashback set in the events of the Dressrosa saga that examined how Law was introduced to Donquixote Rosinante during his childhood and the ideology behind his hatred of Doflamingo. Luffy is not even present in this part, and instead of tragedy, sacrifice, and moral corruption of the Donquixote family, One Piece is centered.
This lack was considerable since it happened in the mid arc of high stakes. One Piece was fully based on emotional narration and not on action, and that proved that Law is a strong pillar of the story. The flashback eventually refocused the conflict of Dressrosa to add even more depth to the alliance between Law and Luffy as the story went back to the future.
4. Robin and the Ohara Flashback (About 10 Chapters, Chapters 391- 400)

The other big omission is in the Ohara flashback of Nico Robin, which is a close to ten-chapter-long sequence in One Piece. This part of the manga not only deprives Luffy but also virtually deprives the Straw Hat crew, except Robin. It zeroes in on her childhood and the destruction of Ohara. The arc provided key insights into the Void Century, the World Government, and the persecution of scholars.
This lack in One Piece was a tonal shift to historical tragedy and institutional cruelty. The absence of optimism in Luffy was what made the arc deliberately depressing to help underline the importance of the rescue attempt that Robin accomplished in Enies Lobby. It is still among the most powerful flashbacks of the show.
3. Dressrosa Colosseum and Side Battles (About 14 Chapters, Early 700s)

At Dressrosa, the manga put Luffy aside in about fourteen chapters as the story centered around the Corrida Colosseum, the uprising of Tontatta, and the havoc unfolding on the island. Even though Luffy was present in other locations, he was not on-panel over long periods of time as other characters, such as Franky, Viola, Kyros, and Rebecca, continued the storyline.
This lack highlighted the ensemble power of One Piece. The arc shows the way the grand scale of the conflicts might happen without the immediate participation of the protagonist, and to give the tyranny of Doflamingo a chance to be examined through the prism of the different civic and revolutionary views. It was because upon Luffy's return to the story, his role was earned, rather than forced.
2. Alabasta Recovery and Crew-Centered Conflict (17 Chapters, Chapters 181-197)

One Piece, on a single occasion, was able to fool the reader in Alabasta by taking Luffy out of the title action in a total of seventeen chapters since he was defeated by Crocodile. However, the storyline during this period changed to the interaction of the Straw Hats with the servants of Baroque Works, as well as the frantic efforts of Princess Vivi to prevent the civil war.
This was among the first instances in the manga where the supporting cast was allowed to run a line without Luffy. The move empowered the Straw Hats as free fighters and the villainy of Crocodile. The moment when Luffy returns, rescued by Nico Robin, would be one of the most memorable moments of the arc.
1. Elbaf Loki and Rocks Flashback (18 Chapters, Chapters 11531170)

In the One Piece anime series, the longest Luffy is missing is found in the Loki and Rocks flashback in the Elbaf arc, and includes eighteen consecutive chapters. Occurring at the very end of the Final Saga, this flashback examines the ancient relationship between Elbaf and the Rocks Pirates, as well as the world in general. Luffy is absent, and this is an all-time gap.
The peculiarity of this lack was particularly due to its practical effects. Readers were left without Luffy for close to six months because of the biweekly breaks. Nevertheless, the manga has been able to maintain its momentum due to heavy lore, mythological allusions, and revelations about Joy Boy, the Void Century, and the World Government. This lack indicated the obvious transition of One Piece to the endgame storytelling, where history itself takes the lead.
Narrative Context and Structural Impact in One Piece
Such protracted absences reflect the way that One Piece has changed structurally as it has passed through time. The earlier arcs made use of the absence of Luffy to propel the Straw Hats, whereas the subsequent arcs made use of the absence to delve into world history and ideological systems. The manga also focuses more on revelations over action in the Final Saga, indicating to the reader that the series can afford to let go and leave the readers to keep up with the revelations without the protagonists being present every page.
Remarkably, the absence of Luffy coincides with the points when One Piece broadens its theme range. These gaps give the story a breath, whether it is institutional oppression being explored, the inherited will, or the ancient truth. Instead of diminishing the story, they enforce the scope and the grandeur of One Piece as an epic of the world.
The longest gaps without Luffy in One Piece testify to the confidence that Eiichiro Oda has in his world, his characters, and his readers. Since Alabaster to Elbaf, such absences have always matched with either important emotional, historical, or structural plot twists. The very fact that One Piece is nearing its end and Luffy has been strategically out of the picture no longer seems like a threat but a necessary plot device, which in turn confirms that the story has expanded to a scale much bigger than any given hero but still attached to the legacy of the first.