⁠“We got this wrong”: Target releases statement following backlash over “offensive” Halloween costume

Target Shares Rise After Strong 2nd Quarter Earnings Report - Source: Getty
Target releases statement following backlash over “offensive” Halloween costume - Source: Getty

Target has apologized and withdrawn a children's Halloween costume from sale following significant criticism that it resembled racial blackface and minstrel show imagery. The retailer apologized on August 24, stating that the product "should never have been part" of its Halloween collection after critics claimed its design and promotional photos evoked damaging stereotypes. The retail store said:

“We got this wrong.”

Why did Target remove the Halloween costume?

The "Kids' Glows Under Blacklight Circus Clown Halloween Costume," which included a black-and-orange bodysuit, matching hood, black gloves, and a clown mask with a broad grin, sparked outrage.

Criticism grew as promotional photographs depicted a Black child modeling the costume in a pose that many social media users and critics compared to racist stereotypes from Jim Crow-era minstrel shows.

According to People magazine, some claimed that the costume style and the model's pose resembled historical images of Black people mocked through blackface performances. The outrage immediately spread on social media, with many questioning how the costume passed through Target's approval process.

Following the backlash, Target issued a public statement about the costume and confirmed its removal from sale. The retailer wrote:

"An apology from us: We pulled an offensive Halloween costume that should never have been part of our assortment. It is no longer for sale. As a company, we got this wrong, and we are deeply sorry."

Target admitted that the situation was especially distressing for Black consumers, staff, and business partners:

"We know this is especially hurtful for our Black guests, team members and partners. Removing the costume is an important first step, and the company is looking closely at how this happened and what needs to change to ensure this won’t happen again."

The company did not reveal who designed the costume or how it was approved for sale, but said say it is investigating its internal protocols. According to CNN, Target declined to provide any information on the product's development.


Why was the costume considered offensive?

Much of the criticism centered on the costume's resemblance to visuals associated with blackface and minstrel shows.

According to the National Museum of African American History and Culture, minstrel performances included performers who were often white actors wearing blackface makeup who depicted Black people in exaggerated stereotypes for entertainment purposes.

According to Merriam-Webster, blackface is a “dark makeup worn to mimic the appearance of a Black person and especially to mock or ridicule Black people.” The practice is now universally condemned as racist due to its role in promoting discriminatory stereotypes.

Critics claimed that the costume's broad grin, black gloves, and model's pose all evoked historical imagery, rendering the outfit inappropriate for sale.


Costume controversy comes after Target's DEI rollback

The costume backlash comes as the retail company continues to face scrutiny for previous business decisions. Back in 2023, the company also faced backlash for their 2023 Pride Collection.

According to CNN and The Guardian, the company has received criticism for reducing several diversity, equity, and inclusion (DEI) initiatives in 2025. Some consumers and civil rights organizations suggested that the recent scandal represented the repercussions of the company's decision to reduce diversity-focused programs.

Minneapolis-based business leader Sheletta Brundidge speculated that less diverse voices in decision-making may have led to the costume reaching Target's shelves, and she questioned who remained in the room to detect potentially offending items prior to its launch. She said:

“You rolled back diversity, so who’s in the room, now, to say ‘hey, this is wrong?’”

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Edited by Zachary D. Lyngdoh