Elizabeth Holmes is the subject of Nathan Fielder and Lance Oppenheim's latest experimental meta-documentary film You Can See Everything. The businesswoman founded Theranos in 2003, a health-tech company that promised to detect conditions such as diabetes and cancer with its revolutionary blood-testing technology. But doubts started to emerge about the company's capabilities, leading to Holmes' 11-year prison sentence on four counts of fraud.The woman who built an empire on alleged deception had a final trick up her sleeve. 34 days before her 11-year prison sentence in 2023, Elizabeth Holmes and her partner invited Fielder and Oppenheim to document their lives in a rented beach house in Del Mar, which led to the release of You Can See Everything.The documentary revisits the controversial former Theranos founder as she prepares to enter prison but it also offers an unsettling glimpse into the dynamic between Holmes and Fielder while the documentary was being filmed. Their intriguing conversation in the You Can See Everything teaser is garnering attention, with many people noting how Holmes is practically using psychological warfare on Fielder.In response to Nathan Fielder and Holmes' tense conversation in the teaser, an X user wrote:"They're flirting."Elizabeth Holmes' bid to win over Nathan Fielder takes center stageElizabeth Holmes' decision to approach Nathan Fielder for documenting her life seems intriguing. The filmmaker and comedian, best known for the Comedy Central parody reality show Nathan for You, is known for his use of satire, deadpan humour and surreal humour. Fielder and Oppenheim shocked the world when they revealed they were filming You Can See Everything in secret, but the behind-the-scenes is coming into focus.The tense atmosphere in the teaser, with Elizabeth Holmes trying to convince the You Can See Everything director that she is not deceiving him, blurs the line between filmmaker and his subject. In the teaser, Holmes' determination to persuade Fielder that he can trust her comes into focus when she says:"I'm not that person. I can promise you that. I don't have anything to deceive you on. Of course, I'm not deceiving you. I'm engaging with you as a human being."Many people noted that Elizabeth Holmes' constant eye contact with Fielder and deadpan expression make the exchange particularly thrilling, like she is trying to manipulate him into trusting her. An X user wrote:"There’s a creepy uncanny valley vibe about her face. She doesn’t look human just something MIMICKING a human being."Given Elizabeth Holmes' history of deception, another X user feels she is trying to manipulate Fielder into trusting her:"You can feel through the screen she isn't being real, lol."The conversation becomes even more intriguing when looking at the process of filming. Speaking to Variety, Fielder revealed he had initially planned to stay behind the camera in his first directorial debut. As the filmmaker revealed, Elizabeth Holmes and her partner kept involving him in long conversations, which eventually became a part of You Can See Everything:"I was behind the camera with Lance, and it was strange. [Holmes and Evans] would keep talking to me or asking me questions, and I would answer from off-camera. But then eventually, the operators would start panning over to me because the conversations would be long.”Fielder's revelation gives his conversation with Elizabeth Holmes in the teaser a new meaning. While Fielder was initially unsure about his subject, given Holmes' history of deception, he decided to continue after her plea of trust. The tense relationship between the filmmaker and his subject likely makes You Can See Everything so appealing. With Fielder struggling to take Holmes' words at face value, the documentary and their exchange leave viewers questioning how much they can actually believe.You Can See Everything was secretly screened at the 53rd Telluride Film Festival in September, before its theatrical release in the US by A24 on October 16.For the latest scoops on your favorite TV shows and movies, follow SoapCentral.