The Beast in Me is about to overtake Ozark to set a new Netflix top 10 record, details explored

The Beast in Me has done something very few Netflix shows manage to do. It has stayed inside the Netflix Top 10 for over 50 days, which is rare for any series, let alone a limited one.

The show premiered on November 13 and is still holding a spot on the charts well into January and as of now, it is sitting just below Ozark, which logged 57 days on the Top 10 before dropping out. If The Beast in Me stays for a few more days, it will officially pass Ozark and move higher on Netflix’s all-time list.

The Beast in Me: How close is it to breaking the record?

The series has already crossed the 53-day mark on the Netflix Top 10 list and that puts it in the same territory as long-running hits like Ginny & Georgia and Avatar: The Last Airbender.

Most shows above it, like Stranger Things, Squid Game, and Ozark, had multiple seasons or very large episode counts. The Beast in Me stands out because it achieved this run as a limited series.

Industry watchers expect shows like fitness programs and stand-up specials to drop faster, giving it room to climb. It opens by grounding itself in grief rather than shock, centering the story on Aggie Wiggs and the quiet collapse of her public life after losing her son.

Writing, once her identity, becomes impossible, and the show treats this block as emotional paralysis, not a creative problem to be solved quickly. The arrival of Nile Jarvis next door shifts the tone from stillness to unease, with small, offbeat interactions that feel ordinary at first but never fully relaxed.

As Aggie begins observing Nile for her work, the line between curiosity and fixation starts to blur. The series leans into this slow creep, allowing suspicion to grow through behavior, silences, and half-answers rather than loud twists. Nile’s presence becomes both a distraction from grief and a mirror for it, forcing Aggie to stay engaged with the world even when she resists it.

Midway through the story, the show sharpens its focus on control, asking who gets to shape the truth and who benefits when stories are told a certain way. Aggie’s role as an author becomes complicated, as writing turns into a form of power rather than healing.

By the later stretch, survival is no longer just physical or emotional, but ethical, as Aggie faces the cost of continuing the story she started and the final movement pulls everything inward, focusing less on mystery mechanics and more on choice, responsibility, and aftermath.

Resolution arrives without neat closure, staying true to the show’s tone and its interest in damage rather than redemption. The Beast in Me ultimately frames its story as one about what grief can build, distort, and expose when it goes unchecked.

Matthew Rhys’ performance as Nile stands out and keeps viewers engaged, and the show’s slow pace works in its favor, encouraging discussion rather than quick binge-and-forget viewing.

Could there be a Season 2?

Officially, The Beast in Me is still labeled a limited series. However, the showrunner has hinted that another season could happen if the right story exists. Netflix often waits to see long-term chart performance before making such calls. Given its current run, the conversation around a follow-up feels realistic, not forced.

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The Beast in Me is close to passing Ozark, a major milestone for Netflix originals, and its success shows that slow, character-driven thrillers still have strong audience pull.

If it stays on the Top 10 just a bit longer, it will rewrite expectations for limited series performance. Right now, all eyes are on the chart to see if it can officially claim its spot in Netflix history.

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